On sight reading a score to understand all of the parts of the orchestra at the same time You need to know the repertoire of everything and of course, the complexity of the scores it's knowing how every instrument functions.ĭeceptive Cadence Philadelphia Orchestra Reboots With New Music Director If I do a piece - a symphony by Brahms with the Philadelphia Orchestra or an opera by Verdi at the Met - I need to know the chamber music of Brahms, and the melodies by Verdi and also his string quartet. I didn't have any idea how complex or how multi-layered it would be, and especially how fantastically universal, in a way, it needs to be. On how conducting is different than he imagined it would be when he was a kid We all have our different ways of leading, but I think we all understand that it's better to be the one sharing the positive about the music to get the best out of it. I'm talking about the generation of Gustavo Dudamel and Andris Nelsons, to name my colleagues here in the U.S. We are there to generate some emotion that's been written in the scores we have to play. This is why very early on, I internalized this love, that I should be the one sharing at all times, to remind people around me why we all do this. The two things they couldn't deprive me was how prepared I would be in front of them, so knowing my scores very well. Fresh Air's Terry Gross interviewed conductor Yannick Nézet-Séguin before a live audience at WHYY on April 2, 2019.
0 kommentar(er)
